Novels & prose · 22 beats
Best for: character-driven and literary novelists. John Truby's 22 building blocks from The Anatomy of Story - an organic structure built from the hero's moral weakness and need rather than a fixed act grid. Deep, and worth the climb.
Start a free story with The 22 Steps (John Truby)Free account · every beat below becomes a slot in your outline
Percentages show roughly where each beat lands in the finished story — the midpoint of a 110-page screenplay is page 55. Write your version under each; it saves in your browser as you go.
The 22 Steps (John Truby) is built into One More Draft — every beat above becomes a slot in your outline, with Quill, your story editor, coaching each one. Free to start.
Start a free story with The 22 Steps (John Truby)Best for: novel-length genre fiction, especially fantasy and sci-fi. Dan Wells's 7-beat scaffolding, reverse-engineered from Brandon Sanderson and popular among genre-fiction novelists. Tight, prescriptive, and easy to outline in an afternoon.
Best for: romance novels of any heat level and subgenre. Gwen Hayes's beat sheet - the romance plot IS the relationship, structured as two halves: falling in love, then fighting for it. Plot beats serve the emotional arc.
Best for: whodunits, detective novels, and crime fiction where the puzzle drives the plot. A 12-beat scaffold pacing the investigation - clues, suspects, red herrings, and the reveal - while keeping the reader one step behind the detective.
Best for: memoir, travel writing, and personal-essay-length true stories. A 10-beat arc that turns lived experience into narrative - an outer journey carrying an inner transformation.
Best for: commercial and genre novels across every category. Jessica Brody's adaptation of Blake Snyder's 15-beat structure for novelists - the same proven turning points, retuned to novel pacing and interiority.
Best for: novelists who want a chapter-by-chapter outline before drafting. Three acts, nine blocks, twenty-seven chapters - each block a mini-arc of reaction, action, and consequence, with a turn at every block's end.
Written and edited by the One More Draft team - working writers and editors building the workshop we wanted. About us