Television · 8 beats
Best for: half-hour TV episodes and short character arcs. An 8-step distillation of the Hero's Journey for episodic storytelling. Used in Community, Rick and Morty, and countless half-hour TV. Protagonist starts comfortable, breaks out, struggles, and returns changed.
Percentages show roughly where each beat lands in the finished story — the midpoint of a 110-page screenplay is page 55.
Establish the protagonist in their stable, familiar situation. Show enough of the routine that we feel the texture of their life.
Surface the protagonist's want or unmet need. It can be conscious (a goal) or unconscious (a lack they don't yet name).
The protagonist crosses into new territory. Could be literal (a new place) or figurative (a new dynamic, a confrontation, a decision).
The protagonist tries to navigate the new situation. They struggle, fail, learn the rules, recruit help, encounter obstacles.
The protagonist achieves what they were after. The goal is in their grasp. But success looks different than they expected.
Achieving the want costs something serious: a relationship, a belief, comfort, self-image. The price recontextualizes the victory.
The protagonist comes back to where they started, often physically but always thematically. We see the contrast between then and now.
The protagonist is different. Sometimes wiser, sometimes diminished, always altered. The change is the story's actual subject.
Dan Harmon's Story Circle is built into One More Draft — pick it in the story wizard and every beat above becomes a slot in your outline, with Quill, your story editor, coaching each one. Free to start.
Start a story with Dan Harmon's Story Circle